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| For the background, I floated in some WN cerulean blue, and stroked in a line of a dark blue-black under the snail. |
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| Heading out to feed Bruno his breakfast, I noticed a snail on the patio. The light on the picnic table was so subtle, I put the snail up there and took some photos. After his modeling session, I put the snail out on the grass. |
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| I have painted thin washes of quin. burnt orange and indanthrone blue - VERY thin. |
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| Here I've started with her eye, and placed the tan spots on her face. |
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| A tentative start on the face ... |
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| I was in a quandary as to how to paint the texture of her ears - all those kinks and curls - without painting each strand of hair. |
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| I think this looks quite realistic without being too fussy. I put pigment down with a round brush, in S-shaped strokes, and then go over them with a damp, flat brush. On July 1, I joined an artists' cooperative gallery in Vancouver. There are eight other artists, and the gallery itself has a very good "feel" to it when you walk in. It is in a very funky, artsy area of Vancouver. I hope to gain some exposure and commissions, but if nothing else, I will definitely get more experience in the business side of the artist's life. Thank you for dropping by, and your comments are always welcome! |
