I painted a wet-in-wet wash with quin. burnt orange for her head and back - the areas getting more light. For the white ruff and areas in shadow, I first did a thin glaze of permanent rose, then an overall wash of a mixture of the rose, with quin. burnt orange and cobalt blue. When that was still wet, I tried to get some texture in the fur with curved lines painted with a thicker application of the same colors.
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