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| Studio light |
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| Overcast daylight I have decided to keep the bright colors, to keep my impression of the bird as a brilliant, beautiful work of Nature. I see and hear them every day when I go out to the barn, and their presence brings me joy. Now on to the dreaded bridge ... As always, your comments are most welcome. |
YOur work has such amazing detail. Love it.
ReplyDeleteA beautiful job Kathryn. I like the lighting of the studio shot best. I see you staple down your paper instead of taping it. That's very interesting. What made you do that? (Watercolor is a mystery to me, especially when used by people who know what they are doing with it). --Poor little bird.
ReplyDeletethe colours you have used for this poor little bird are beautiful,and it's a moving painting. thank you for posting your step by step
ReplyDeleteI am so glad that you decided to paint the little fellow. He is beautiful!
ReplyDeleteYou painted it so beautiful!
ReplyDeleteWe feel its peaceful sleep.
love
tweedles
Your painting is beautiful and really emotional to me . xx
ReplyDeleteThis is so beautifully and sensitively done. I love how you have managed to portray the downy fluff :0)
ReplyDeleteAnd not forgotten!!! poor thing! Beautifully painted, Kathryn.
ReplyDeleteI thought I had already commented, Kathryn, but I guess not. I wanted to say: this is a beautiful painting and I feel the same as Jane, it is emotional to me too.
ReplyDeleteyou're brave
ReplyDeleteSo glad I did not miss seeing this, Kathryn. I find it to be very touching and very sensitively painted.
ReplyDeleteI really really like this one. I think you totally captured the delicate, melancholy feeling of it... It makes me sad though...
ReplyDeleteThe colors are just gorgeous and the drawing is beautiful too. You are really brave to tackle a subject like this...