| W/w wash of aureolin, brown madder and ultramarine. Then I lifted, while still wet, some of the highlights of the face. |
| RATS! I did not make up enough of my soft black mixture. |
Thoughts and tangential meanderings on horses, painting, and anything else that captures my interest
| W/w wash of aureolin, brown madder and ultramarine. Then I lifted, while still wet, some of the highlights of the face. |
| RATS! I did not make up enough of my soft black mixture. |
| Julian, as Romeo |
| Paulina, as the Mona Lisa |
| My sketch of Majesty, the rescue horse |
| Some color swatches, to see how they mix on the paper, and how well they lift |
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| I am using an old 1930's photo as reference. |
| More inspiration for a later painting - my niece, Paulina. I'm thinking of doing a Mona Lisa take-off. |
| My nephew, Julian, definitely an Elizabethan Romeo. As always I love to hear from you! |
| I'm calling this done. I am not 100% thrilled, but then, when am I??? |
| His Imperial Nooginess, at dinner. Note the tummy bulging beyond the extent of his rump - definitely not good. |
| A better view of his too well-fed tummy. |
| Electric rope pulled down all along the back fence line. |
| Bruno was a very busy lad. |
| You can see where he chomped the richer grass right down to the ground. |
| He even pulled the plastic guides for the electric wire out of the fence posts. |
| I just wasn't quite liking the way this looked ... |
| So I started again, with a smaller format [ 7 x 7.5 in. ] and much more yellow in the flower. |
| Then some orange siena |
| Lots of playing back and forth with the alizarin and the orange. |
| Hopefully, a small stash for Bruno. |
| Day lilies coming along well, now that we have more sun and warmth. |
| I am here with the "practice" version of the Burrard Bridge. Already I can see the right hand blues are too dark, but it will look different when the buildings are done. |
| Here I've done the shadows with a glaze of quin. burnt orange and phthalo green [blue shade, I think]. |
| These are the under-glazes - alizarin for the dark center, quin. siena for the warmer areas of the tulip, and quin. pink for the cooler spots. |