I Painted ALLLLL Day ... to Bruno's Relief

I left the monks/geese at this point last night ...

... then today I painted all day, save for breaks to feed beasties, and to vent my frustrations with 2 hours of guerilla weed-whacking in the back yard. When I looked at this in the morning, the background looked too anemic, so I wet the sky and added more color, then when dry, also wet the mountains and forest and ruins in front and added more color again. I did the monks robes both all over wet-in-wet, and with some dry bush detail. And gave them legs and heads - good to have!

This photo and the one above look very different as to background - I think if you can imagine a blending of the two of them, that will be close as far as color and value.
I did more all-over washes of their robes and satchels with quin. sienna, darkened their legs and heads, and now I am undecided. I do like the orange, but am wondering if it gives enough of an impression of their being back-lit by an early morning sunrise? I'd like to keep the focus toward their feet, because for me the painting is about a pilgrimage, and I see that as walking. Would darkening the bodies a lot take away from that idea? Anyway, I'll put this aside for now, and work on the calf ...

Thank you for dropping by! Your comments are always welcome.  

The Experiment Is Done ... "Backlit"

This is where I left off

Worked on the leaves with aureolin, quin. gold, quin. burnt orange and phthalo green [YS]

More leaf color, and some spots of new gamboge
7 x 6.5 in.

Original photo

   I think, as an experiment in technique, this small painting is a success; it gives me another tool to interpret light. As a painting, I think the background is somewhat too dark over all, but that is a matter of taste. As you know, all criticisms are welcome, so please do let me know what you feel about it.
   And now, on to more experimenting ...