While Working on Trigger ...

Reference

Laid in a wash of cobalt blue and alizarin.

Several glazes of aureolin, new gamboge and quin. burnt orange.

More quin. burnt orange, quin. siena and a green mixture.
The dark is my favorite orange, purple, blue mixture.

Same blue and red mix for shadow. Again, quin. burnt orange, quin. violet and aureolin.

Same colors, just intensifying them with a w/w wash in the shaded area.

Why these are cock-eyed, I don't know. They are aligned properly in my album.
Anyway, same red and blue for the shadow and the graded wash.

I'm pretty much using the same colors with all three leaves.
All are small pieces - less than 60 square inches. Just something to play with, while working on Trigger.

As always, your comments are most welcome.

Oh ... This and That ...

I finally took my "bete noire" to my framer yesterday, after doing a quick touch up and signature. I lifted the water-line in front of the city, and also lifted some implied reflections.  I went all out with the framing, and I may even like it when it's done. The mat is an off-white, with a thin bordering mat of gray - the same color as my signature. That was not planned, but it turned out to be the best color for an accent.

I have a desire to paint something slightly weird and dark. The work of Giuseppe Arcimboldo has always intrigued me, and I think I will borrow a page from his book, so to speak, and use some of my family photos for portrait reference. 

Needing something else to play with while working on Trigger, I did this quick study of hollyhock buds. It's 20 x 11 cm.

The lad is coming along slowly, as I gradually do thin glazes on his face.   I might even finish him today.  I just got a call from the receptionist at work; my whole day tomorrow fell apart, so I don't go to the office till Friday.  I've also badly pulled my hamstring muscle riding, so I won't be riding much for a few days [or sitting!].  So I'll have to get some more painting projects started.

As always, your comments are most welcome!

Trigger's Saga

Reference

I used the study I had done earlier to play with the background. I thought this too dark.

I sponged off some of the pigment, and came out with this.

I also did a work-sheet, to see exactly how the colors would play out.

This is the portrait itself. I think it may be more intense in reality than this, but it gives you an idea of the background.  I used grayed hues of lavender, cooler at the top and right, and warmer below, hopefully to give it a sense of depth. Next I will go in to finish the horse image.
That's painting for this morning. Off to clean up the Big Guy's paddock, and go for a ride.

As always, your comments are most welcome. 

Finishing What I Started ...

Reference

There are a lot of "mistakes" in this one that I can't repair, but I've taken it to a decent conclusion.

I was going to leave this here, but glancing at it before I went to work yesterday, I thought to myself - there is no pattern, cohesion - try playing with the shadows. 

So I did ...

... and also glazed some of the leaves.

I have a habit, and I'm sure we all do this to varying degrees, of starting a new project with great enthusiasm, and then getting bogged down in frustration and disgust. I appreciate that my painting is technically OK, but often lacks a sense of unity and completion. That must be my impatient side! I'd also like very much to bring a bit more 'meaning' and emotional depth  into my work. This should keep me busy for a few years. :)

As always, your comments are most welcome!

"PENSEES" - Start to Finish

I started very w/w, with the board at a slant. I don't usually do that, but I really liked how the paint flowed for the beginning of the portrait.

The hair and the post were started w/w.

Thicker color, painted wet on dry for the definition of the hair.

Work on her features and the shadowing.

Almost finished here. This photo was taken outside, and gives a much better idea of the true colors.

Just a bit of fussy detail work around the eyes.

In general, I am quite pleased with this portrait.  If I were to have done anything differently, it would be to do more w/w  of the shadows and pink coloring of the face. To my eye, it looks a bit patchy, especially around the nose. But all in all, I am happy with it. And I am LOVING doing portraits!!!

As always, your comments are most welcome.

PS - If anyone is interested in it, the portrait is 10 3/4 x 8 1/4 in., and for sale.

ANY IDEAS?????

The dogs were not impressed.

The above photos are of my set-up. I had two neighbors drop by. Norma brought her sister, niece and nephew, and their new pup. They asked about training tips for the pup, and mentioned they'd like a portrait when she is full-grown. She is only 9 weeks now ... hmmm.
There was absolutely NO response to the signs I put out on the street.

Stages of collection - increasing response, over time with training, of the horse to the rider's aides. The aides are your seat, legs and hands, basically, and how you balance and use them.

This is a graphic visualization of the weight-shift of a horse, over time with training.

A few people asked for a bit more clarification of "on the bit". I could go on forever about horses. I'll restrain myself. Essentially, the purpose of training is to get the horse to shift its engine, from front-wheel to back-end drive. All the powerful muscles are at the hind end, and through training, we encourage the horse to use and develop these muscles. It is gymnastics/yoga for horses.

As for the "show", it was disappointing. I am running out of sly and cunning plans to get people to notice my art. ANY SUGGESTIONS???

As always, your comments are most welcome.

Sylvia Loch - On The Bit Dressage