Narcissus: Emergence - a Step by Step Process ...

My model, growing in a patch by the riding ring.

My drawing [and value idea]

I masked out the flower, and applied a thin, graded wash of quin. gold, let it dry, then did a thin graded wash of phthalo blue.

Another, more intense wash of phthalo blue

The leaves done, using combinations of gold and blue. I didn't want them to overwhelm the painting, so they were done with thin washes.

I started the flower with w/w applications of aureolin in the trumpet and reflected onto some of the petals, and phthalo blue on the shadowed areas of the surrounding petals.  

I intensified the shadows on the petals so they were as close as I could get to the value of the surrounding sky. I wanted to create a lost-and-found look - have them seem to emerge from the paper. I added some shadows around the center of the trumpet with a pink/yellow/blue mixture, let it dry, then glazed with yellow and burnt orange to warm it up.

Some thin blue applied to the perimeter of the trumpet ...

... which you can see better in this close-up.

This is drawing of another narcissus I'd like to start soon. I'll paint this one with different techniques and colors.

Thank you so much for dropping by!!!

Someone to Watch over Me - a Beautiful Process

Meet King. A good friend of mine asked if I could do a painting for a friend of hers. The woman who had King had been through  some rough times, and Lynn wanted to give this to her as a loving memory of King. King's owner wants to hang the painting in her newborn daughter's bedroom as her guardian angel, hence the name of the painting.

My drawing

I wanted to start with a color study, as I was going outside my usual territory. The colors and mood were to be light, and I do have a penchant for the dark and dramatic. I started with a wet in wet all-over wash using quin. rose, quin. burnt orange and cobalt blue. I dried that, and then mixed a blue-grey for his coat color and applied that w/w.

A bit more w/w with a warm and cool grey.

The eyes and nose, again w/w, using orange, pink and indanthrone.

More work on eyes and nose.

This morning I had a good idea for the background. I wanted to use a "lost and found" technique so King would seem to emerge from the paper. I scrumbled some orange, pink and cobalt blue, keeping the warmer colors up at his head. I'm not sure if I am finished yet, but I must admit I really like how the painting looks. I wish all my paintings came onto the board this easily - mind you, I did spend weeks thinking about it and planning.

The original drawing is 15 x 11 inches, and the color study is 11 x 7 inches. I wonder if I can create the larger painting as well as the color study???

Thank you so much for dropping by!!

The Watcher in the Woods ... Class Projects

A photo I took a few years ago. I thought the old tree looming over the open area really did look like it was watching over the spot.

This was a class demo on splattering. I masked the large tree and the bottom snowy area and covered the sky with irregularly-shaped pieces of watercolor paper and tape. Then I splattered with quin. gold, quin. burnt orange, alizarin crimson and cobalt blue. I lightly sprayed to encourage the colors to mingle a bit. When dry, I did a graded wash of cobalt blue all over the painting, then removed the masking.

Thin wash of burnt orange over the large tree, and some thin lines of grey to imply some scrub trees in the distance.

Played with some lines in alizarin, indanthrone and orange to get some bark texture.

Started to shadow the tree ...

... realized I didn't like the brown color, so glazed over it all with indanthrone.

Deepened the shadows in the bushes here ...

 ... and here

Added some softened line of blue-grey for shadows in the snow ...

... and I am here now. I think the tree needs a bit more work, but overall the painting is a nice example of what can be done with splattering.

I also had requests from some students to demonstrate how to paint eyes. Like all of us [me included], the students want immediate results! I have a feeling the idea of glazing at least four or five times to achieve the result put them off. But the effect one attains is worth it!

I wish you all a Happy Easter! Thank you for dropping by!!

Now ... This Is SPRING!

Daffs are almost done ...

Lilac leaves and buds opening ...

Camellia in bloom

Japonica blooming

Narcissus looking lovely by the pond

Bruno, muddy and hairy, but naked on the lower back lawn

I just was looking at a blog I follow, and she had pictures of Spring ... under several inches of snow!!!!! UGH! But this ... THIS IS SPRING!

HAH!!! Another Process ... Rhododendron

My drawing with scribbled notes about how to handle the background [not that I listened!]

After masking the pistils and stamens, I started with very thin washes of aureolin for the leaves and some cool pink for the petals.

Some very thin and loose washes over the background using quin. gold and indanthrone.

Painted the leaves with mixtures of the gold and blue.

Again did the background wet-in-wet, to tone down the look of the leaves - they seemed to be overpowering the painting.

I still didn't like the background, so went over all with a thin wash of indanthrone.

Not liking the blue in the flower shadows, so I will glaze over with some fuschia.

I am here now, and not sure what more I need to do ... something is needed. I will play with the form shadows in the petals with some quin. fuschia, and probably give the leaves a bit more depth.

Thank you for visiting!!

The LAST Cat ... a Work in Progress

My sketch with some values indicated

Masked out two tiny highlights in the eyes, then did a wet/wet wash with aureolin and dropped in some orange. Started the nose and mouth with some black made of orange, violet and dark blue.

Added some pupils.

Some direct painting of the darkest areas on her face, and a thin wash of red-orange in her ears. 

An all-over wet wash of violet, made of quin. rose and indanthrone.

Then a wet wash of the black.

More glazing of the eyes - a thin burnt orange with a dark purply-brown dropped in to indicate shadows and roundness. At this point, I have done about five or six glazes on the eyes.

I had to borrow a photo from the internet, as the one sent to me as reference was almost unreadable. If I didn't know it was a cat beforehand, I wouldn't know what it was.

Another internet photo - this one for the eye color.

This was my first attempt using the photo the owner sent. UH ... NO!

More to come today. I feel I am back in a good place again, especially with painting. I have two others I am working on, and some good ideas for the dog portrait and the seiner fishing boat.

Thank you for dropping by!!!